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Prinzessin kaguya

Prinzessin Kaguya Der Weg vom Mond hat sich gelohnt

Der alte Bambus-Sammler Tekatori no Okina entdeckt eines Tages in einer glühenden Bambus-Knospe ein winziges Baby. Er nimmt das Findelkind mit nach Hause und zieht es gemeinsam mit seiner Frau auf. Mit der Zeit wächst das kleine Mädchen zu einer. Die Legende der Prinzessin Kaguya (jap. かぐや姫の物語, Kaguya-hime no Monogatari) ist ein Film des Studio Ghibli aus dem Jahr Er entstand unter der. Die Erzählung handelt von der Prinzessin Kaguya (Kaguya-hime) vom Mond, die als winziges Findelkind von einem Bambussammler gefunden wird und zu. Septembers bin ich gestorben“ beginnt, ist schon von Im Parc Monceau, in der Nähe des kleinen Kinos, in dem „Prinzessin Kaguya“. Der Film Die Legende der Prinzessin Kaguya ist der letzte Film von Isao Takahata. Er erschien

prinzessin kaguya

Deutsches Kinodebüt eines Altmeisters: Der wunderbare Animationsfilm „Die Legende von Prinzessin Kaguya“ schafft es die Zuschauer über. Das gilt auch für den neuen Film der Anime-Ikone Isao Takahata, denn deren neues Werk Die Legende der Prinzessin Kaguya sollte man am. Der alte Bambus-Sammler Tekatori no Okina entdeckt eines Tages in einer glühenden Bambus-Knospe ein winziges Baby. Er nimmt das Findelkind mit nach Hause und zieht es gemeinsam mit seiner Frau auf. Mit der Zeit wächst das kleine Mädchen zu einer. In "Die Legende der Prinzessin Kaguya" kehrt Studio Ghibli zu seinen mystischen Wurzeln zurück: Mit der Neuerzählung eines japanischen. Studio Ghibli hat es mal wieder geschafft. Mit eindrucksvoller Animation und einem ganz eigenen Look und Feeling ist Die Legende der Prinzessin Kaguya. Das gilt auch für den neuen Film der Anime-Ikone Isao Takahata, denn deren neues Werk Die Legende der Prinzessin Kaguya sollte man am. Deutsches Kinodebüt eines Altmeisters: Der wunderbare Animationsfilm „Die Legende von Prinzessin Kaguya“ schafft es die Zuschauer über. Nicht zufällig beginnt mit https://nordmedia09.se/neue-filme-stream/the-time-travelers-wife.php das japanische Erzählen. Ihre Tochter, der nun nymphomaniac movie Name Kaguya gegeben wird, soll wie eine Adelige aufwachsen, wird more info erzogen und gekleidet. Sie sind dann die Geduldigsten. Die Verehrer stehen Schlange. Rtl tv reichte aber, um vor allem Miyazaki zu einer Legende zu machen.

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An old man makes a living by selling bamboo. One day, he finds a princess in a bamboo. The princess is only the size of a finger.

Her name is Kaguya. When Kaguya grows up, 5 men from prestigious families propose to her. Kaguya asks the men to find memorable marriage gifts for her, but the 5 men are unable to find what Kaguya wants.

Then, the Emperor of Japan proposes to her. Written by Anonymous. PS: IMDb, your criteria for review submission are ridiculous to put it mildly.

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Rate This. Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady.

The mysterious young princess enthralls all who encounter her, but ultimately she must confront her fate, the punishment for her crime.

Director: Isao Takahata. Added to Watchlist. From metacritic. What's New on Prime Video in June. Academy Short list: Animated Features.

Directors' Fortnight Tema Studio Ghibli. Japanese movies. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Aki Asakura Sutemaru voice Takeo Chii Okina voice Nobuko Miyamoto Sagami voice Tomoko Tabata The beams suddenly changed angles, intersecting each other in the sky, forming the shape of a pentagram, mirroring the one which formerly constituted the seal on Kaguya herself.

The lights faded, but the pentagram, inscribed within a circle, remained, shining a brilliant pink. As the light showed brighter and brighter, a powerful demonic aura was gathered around Lake Motosu and the Castle of the Pentacle Mirror.

The lake's waters began to rise in tumult, as a large rock rose out of its depths to join the one already in place behind Kaguya's castle.

At its summit was a vast hall, where Kaguya's true dwelling resided. Discarding her princess guise, Kaguya assumed her true demon form, as swirling cherry blossoms transported Kaguya to her halls atop the mountain.

Here she stood in the midst of her seal, similar to the one which surrounded her when she was trapped inside her mirror.

Behind her was another seal, of unknown significance. Having trapped Kagome inside her mirror, Kaguya now released her, but kept her legs bound by root-like growths which merged with the wooden floor of her halls.

The rest of her body was suspended by a levitating replica of Kaguya's signature pink pentagram. From beneath the waves, this monster fired balls of fire at Kaguya's enemies, forcing them to land.

Inuyasha made his appearance however, and began running across the lake. Hearing his cries through the mirror, Kagome regained consciousness.

The wound in her back healed and the arrow disappeared, leaving the Celestial Robe unpinned and free to fall to the ground. Kaguya was surprised that Kagome had recovered, and acknowledged that this was due to the power of the Celestial Robe.

Kaguya claimed the garment from off of the floor, stating that now her wish would be granted.

Kaguya then commanded the creature to breach, confronting Inuyasha directly. While this was happening, Kaguya mused over the Celestial Robe, reflecting on the infinite power she now possessed.

Kagura interjected, claiming that the Robe did not suit a "fake" celestial being such as Kaguya. This rebuke would foreshadow Kagura's actions shortly thereafter.

With this destroyed, the monster was immediately obliterated by the force of the blast. Before she could regroup, Kaguya was accosted by Kagura for the creature's failure to defeat Inuyasha, contemptuously asking if Kaguya had been conquered already.

She revealed to Kaguya that she had found out from Kanna that "Princess" Kaguya was little more than a ruse, and that Kaguya was in fact not a celestial being at all.

She further drew a comparison between Kaguya and Naraku, claiming that, like him, Kaguya simply absorbed the powers of others to increase their strength, and guessed correctly that Kaguya probably devoured the real celestial maiden to gain immortality.

Uncomfortable with the comparison to Naraku, Kaguya proclaimed that she detested "all these half-demons.

As a woman "born of Naraku", she claimed that she was tired of Kaguya's "antics. Amused, Kaguya asked if Kagura planned on confronting her, welcoming it as a source of good entertainment while she waited for Inuyasha's arrival.

Kagura announced her intention to have Kanna steal Kaguya's soul. As the white wisps of Kaguya's soul began to flow into Kanna's mirror, Kaguya laughed at the foolish duo, admonishing them for thinking that it would be so easy to take her soul, which was quite safe against Kanna's meager incursion.

Kaguya then asked if Kagura wanted to know why she had sought the Celestial Robe. As the aforementioned garment unwrapped itself form around Kaguya, it formed the shape of a circle facing Kagura and Kanna, while Kaguya began to chant the words to another spell.

Kagura and Kanna lay helpless as Kaguya's Power of the Mirror of Stillness spell enveloped them, sending them paralyzed to the bottom of Lake Motosu for their betrayal.

By this time, Inuyasha had reached the summit of Kaguya's mountain. To prepare for his arrival, Kaguya finally set her ultimate plan into action.

The Celestial Robe once again unwrapped itself from around Kaguya, but this time encircled Kaguya herself, directly overtop the seal at her feet.

As Inuyasha ran into her hall to confront her, Kaguya activated the Power of the Mirror of Stillness once again, as a blinding pink light shown out across the entire room, overcoming Inuyasha.

The pentagram in the sky began to expand, as Kaguya's spell began to take its effect. As the pentagram's boundaries expanded, so to did the effect of the spell, completely stopping the flow of time in the affected area.

With the passage of time thus halted, the Robe returned to Kaguya's body, as she proclaimed with ecstasy that she would never be parted with her "beautiful, everlasting night" ever again.

To her shock and chagrin, however, Inuyasha began to rose from where he had been pinned to the floor, steaming. Kaguya demanded to know how he was still free to move, and not frozen in time.

Inuyasha answered back, claiming that his ability to move was the least of her worries, attacking her without further delay with the barrier-breaking Kaze no Kizu of the Red Tessaiga.

This, however, only served to dispel the illusion Kaguya had cast of her castle into the physical world. Kaguya revealed to a startled Kagome alarmed that Inuyasha had suddenly vanished that he had never really been in their presence at all.

Inuyasha had never entered her castle, but only a fake one on the surface of the lake. Kagome and Kaguya were, in actuality, inside a separate dimension within her mirror, connected as it was with Lake Motosu itself.

By this understanding, Kaguya believed herself to be completely safe from the interference of outsiders. But this obstacle, too, was soon to be overcome by Inuyasha.

Inuyasha eventually figured out how to break through to the dimension inside Kaguya's mirror, by using his barrier-breaking Red Tessaiga on the frozen surface of Lake Motosu.

Inuyasha and his friends were thereby able to make their way through the breach and into the Realm of the Night, to the Castle Beyond the Looking Glass , Kaguya's true dwelling place.

Kaguya thought it was foolish for her foes to confront in her in her own domain, and awaited their ensuing destruction. Meanwhile, Kagome interrogated Kaguya, demanding to know her motives for stopping time.

Kaguya dismissed Kagome's concerns, claiming that only mortals such as herself were enamored with the passage of time.

When Kagome claimed that she would rather die than remain in the timeless void of Kaguya's "eternal night," Kaguya announced that Kagome's wish would soon be fulfilled, as it was Kaguya's intention to devour Kagome and take both her spiritual powers and her ability to put up a time barrier.

At that moment, though, Inuyasha suddenly made a dramatic entrance, lunging at Kaguya with his Tessaiga.

Kaguya removed one of her hair pins, which transformed into a large sword, allowing her to repel Inuyasha's attack. After parrying his second strike, Kaguya grabbed the Tessaiga with her bare left hand, enveloped by a small barrier, which allowed her to touch the naked blade edge without sustaining any injury.

After continuing to repeatedly thrust her sword at Inuyasha, Kaguya then wrested the Tessaiga out of Inuyasha's grip completely and threw it into the wall behind her.

Sango and Miroku also tried to enter the fray, but Kaguya was able to effortlessly destroy the monk's sacred sutras. She also blocked Sango's Hiraikotsu with her sword.

Miroku, Sango, and her brother, Kohaku, then followed up with a direct attack. But, after chanting a quick spell, the Hiraikotsu was consumed by blue flames, and catapulted back at Sango, slamming her and Kohaku off the platform.

Inuyasha, too, tried a direct attack again, using his Iron Reaver, Soul Stealer technique.

Two tendrils then unfurled from the armor on either of Kaguya's arms, speeding towards Inuyasha and Miroku. The left tendril pierced Inuyasha's chest, bringing him to his knees.

Miroku was only able to temporarily block the attack with his staff , but it was quickly snapped it half and he was struck in the arm.

Kaguya attempts to seal away Inuyasha's human blood into her mirror. With all of her enemies thus summarily routed, Kaguya moved onto her next objective: transforming Inuyasha into a full-blooded demon and bending him to her will, effectively making him her servant.

To this end, Kaguya turned her mirror on Inuyasha, promising to release the carnage within his heart, giving him the true form he desired.

Once she began chanting a new spell, Inuyasha's appearance became savage, while his reflection in the mirror began to slowly morph into his human form.

Sango tried to throw her Hiraikotsu at the mirror in order to halt the transformation, but Kaguya sent out her armor's tendrils to stop her, the coils morphing into branch-like formations which bound Sango to a pillar.

Kaguya also constrained Kohaku and Sango's demon cat ally Kirara for good measure. With the darkness in his heart amplified and his human blood sealed in Kaguya's mirror, Inuyasha even attacked Miroku, who tried to snap his friend out of the trance.

Nevertheless, Kagome leaned up and kissed Inuyasha. This proved to be too much, and Inuyasha reverted to normal, breaking free of Kaguya's spell.

As a result, the Mirror of Life cracked down the middle. Perhaps because of this, small red particles began to fall from the ceiling, confusing everyone present, even Kaguya.

Retracting her armor coils from Sango and the others, Kaguya derided Inuyasha, believing him to be fool for giving up what she perceived as an excellent opportunity to see his wish to be a fully-fledged demon fulfilled.

After sharing a moment with Kagome, Inuyasha retrieved the Tessaiga from the wall, turning on Kaguya.

In response, Kaguya indignantly chastised Inuyasha for "bear[ing his] fangs" at her, warning that he had tempted his fate. At that moment, though, the red particles which had been floating in the air coalesced to reform the lost sleeve of Inuyasha's Robe of the Fire-Rat, to the rejoicing of his friends.

This served to only enrage Kaguya further, her hair pulsing angrily and shrill noises erupting out of seemingly nowhere. Inuyasha attacked Kaguya yet again, this time with a point-blank range Kaze no Kizu blast.

Kaguya attempted to prevent his attack by striking at him with her armor coils. However, these, along with Kaguya's entire left forearm were destroyed by the blast.

Nevertheless, Kaguya's arm was immediately restored, thanks to the power of the Celestial Robe. At this moment, Kohaku began to experience pain in his shoulder, which began to bulge.

Perhaps sensing a demonic aura, Kaguya turned with a look of concern, as she joined with her enemies to watch the bizarre scene unfold.

The bulging flesh continued to grow, eventually taking the shape of a spider, with eight legs and mandibles, at which point it exploded violently.

When the smoke cleared, Naraku, exposed in his true, most grotesque form, lay in wait. He greeted Kaguya, saying that it had been too long since they last met.

Kaguya disdainfully told Naraku that she thought he had died. He explained that he had merely faked his own death, long enough to draw Kaguya out of hiding.

However, it is unclear how Naraku was able to escape the effects of Kaguya's Mirror of Stillness spell, since he did not possess anything that could put up a time barrier.

At any rate, as he sent out his tentacles to ensnare her, Naraku told Kaguya to prepare to become one with his flesh, extending his body out to absorb her.

Beside her self with disgust, Kaguya commanded Naraku not to lay his filthy hands on her and began to chant her most powerful spell yet. Her entire palace began to shake, timbers falling from the rafters, a few smashing into Naraku's bulbous body.

As he got closer and closer, though, the Mirror of Life began to glow. As the light grew in intensity, Naraku's body was obliterated, except for his head.

Finally the light shone out blindingly, and when it was all over, Naraku was nowhere to be seen. Unfortunately, this was not the end of Kaguya's hated half-demon enemy.

Naraku had simply retreated into the recesses of Kaguya's halls, waiting for a better opportunity to attack her again. Inuyasha decided to take this opportunity to go on the offensive yet again, unleashing yet another blast of his Kaze no Kizu.

Kaguya easily dispersed it, telling Inuyasha that he did not have the power to defeat her. She and he continued to exchange blows, until finally Kaguya retrieved her mirror, electing to blast Inuyasha away in the same fashion she erased Naraku.

Inuyasha stubbornly refused to move, and was only saved from destruction by the timely assistance of Miroku. Meanwhile, Kagome retrieved the broken top half of Miroku's staff, planning to use it as a projectile against Kaguya.

The celestial maiden noticed her presence, and nearly killed her with her armor coils, but was thwarted by Sango. Still in attack mode, Kaguya wasted no time in turning her sights back on Inuyasha, slashing violently at him and narrowly missing Miroku, as her blade cut through a thick piece of wood, which had fallen from the ceiling.

After exchanging a few last blows with Tessaiga, Inuyasha thrusted Kaguya away from him. She deftly used the momentum to skip back to the platform, where she gathered energy for a final attack.

Raising her sword above her head, Kaguya chanted another spell, her sword shining with a brilliant light, finally culminating in a large ball of fiery energy.

Inuyasha began charging forward, and just before she threw the attack at him, Kaguya dismissively told him to return to her darkness and vanish forever.

When the blast was unleashed, Inuyasha countered with the backlash wave yet again, much to Kaguya's disappointment at his unoriginality.

Much to her dismay, however, this time Kagome shot the piece of Miroku's staff she had gathered earlier, catching the Celestial Robe and pinning it to the Mirror of Life, which smashed.

Without the protection of either object, Kaguya was vaporized by Inuyasha's attack, leaving behind only a handful of falling cherry blossoms.

With her body gone, Kaguya's voice still called out, questioning how she could possibly have been defeated by a mortal and a mere half-demon.

This was not the end for Kaguya, though. As her enemies tried to make it out of her palace as it collapsed, the black smoke-like form of Kaguya's aura cut them off, claiming that she could not be slain, since she was an immortal heavenly being.

She then proclaimed that she intended to steal Kagome's body and take it as her own. Flowing forward, Kaguya's disembodied aura kidnapped Kagome yet again, dropping her on a fallen wooden beam.

As she turned around, preparing to possess Kagome, Naraku emerged from hiding just behind the girl, planning to absorb her aura into his body, as she planned to do the reverse to Kagome.

He didn't have the chance, however, as he was blown away, yet again, this time by a blast of Inuyasha's Kaze no Kizu.

Kaguya herself did not escape attack, as Miroku opened his Kazaana, sucking Kaguya's aura into the void of his hand and putting an end to her existence in the physical realm forever.

As a princess , Kaguya possesses a distinguished poise. In her guise as "Princess of the Heavens," Kaguya acts in a very refined manner, like any high-born member of the nobility, as her title would suggest.

She is almost always smiling and seems to keep herself in a good mood at all times. She often recites poetry from the original Tale of the Bamboo Cutter , [1] and sometimes waxes philosophical at points, musing on the beauty of the Moon and how it is best viewed with a physical body a dichotomy that admittedly few are in a position to take a stance on, given her unique circumstances.

Building on her natural refinement, Kaguya is typically very calm and calculating; thus, losing her temper would be unthinkable.

Her serenity is essentially a tool to accentuate her own beauty and gracefulness. Even when facing off against enemies, Kaguya maintains her poise and graceful bearing, yet she usually treats her foes with arrogant disdain and blatant sarcasm.

While trapped in her mirror , Kaguya is completely self-assured in her abilities and does not perceive Inuyasha or any of his friends as potential threats.

Even when Kagome fired a sacred arrow at her, pinching off a piece of her kimono in the process, Kaguya merely weighed the advantages of absorbing Kagome's spiritual powers , not even deigning to consider Kagome as a real threat.

This was further displayed when Kagome threatened to fire at Kaguya again; Kaguya scoffed haughtily at Kagome, daring her to try it. Because of Kaguya's immense power, she was in fact able to simply redirect the arrow, thus establishing her superior fighting prowess and, to a large extent, justifying her arrogant, aristocratic disposition.

This low estimation of her enemies' abilities also led her to spare Inuyasha and Kagome's lives, even despite Kagura 's misgivings and her foes' vulnerability.

Kaguya simply did not perceive them as potential threats. This may also derive from Kaguya's single-minded determination. Kaguya is a very goal-oriented person, ruthlessly pursuing her objectives in a careful and methodical manner.

Since she had, at the time, only been concerned with obtaining the Robe of the Fire-Rat and using it to free herself, the fact that Inuyasha and Kagome might come back to oppose her likely did not occur to her.

Nevertheless, this rather tepid reaction was only due to Kagome and Inuyasha not figuring into her plans. Conversely, in other instances when the same duo actively stood in her way, Kaguya reacted with overwhelming force.

In general, due to her intense drive, Kaguya reacts with severe annoyance at the least bit of resistance or interference in the pursuit of her goals.

When Inuyasha and Kagome tried to keep Kaguya from obtaining the Celestial Robe , she quickly dispatched them with her mirror; this proves that Kaguya's fierce nature only reveals itself when individuals get in her way, since, as soon as she got what she wanted, she immediately left yet again, ignoring the potential threat posed by Inuyasha.

Again, whether this is due to her single-mindedness or her genuine disdain for Inuyasha's fighting ability is difficult to determine.

Kaguya is also extremely vain, given that her entire life has been dedicated to the pursuit of greater beauty and eternal youth. She reacts very negatively to any criticism or skepticism that she is a true celestial being.

This vanity is what leads her to be so self-absorbed and narcissistic, only augmented further by her immortality and unlimited power.

It is likely this aspect of Kaguya's personality, so oriented towards aesthetics, that causes her to react with such hostility towards half-demons.

As a general rule, most demons look upon half-demons with disdain for being weak and part human. Kaguya's feelings are less like disdain and more akin to overt hatred.

She calls half-demons "unsightly" and does not consider them beautiful at all, completely unlike herself. Whereas she is the pinnacle of perfection, Kaguya views half-demons as imperfect and of all the creatures that pollute her ideal "Eternal Night," the ones least worthy of existence.

These hostile feelings may belie Kaguya's own insecurities, as well. Since Kaguya is not a true celestial being, but technically a "half-demon" herself, Kaguya may be reminded of her own charade in the form of half-demons.

This is perhaps why Kaguya, despite her self-proclaimed hatred of half-demons, was willing to take on Inuyasha as her servant and grant him his wish to be a full-fledged demon.

It is possible that Kaguya saw reflected in Inuyasha her own desires to pursue perfection and leave her weaker, demon state of being behind.

Another factor, though, is likely that Kaguya likes to demonstrate her power to grant wishes and show off before her terrified foes as their best friend was turned into a brutal demon.

Kaguya expresses her distaste for half-demons. Finally, of course, the most prominent reason behind Kaguya's hatred of half-demons is Naraku.

Naraku represents the antithesis of everything Kaguya values; namely, beauty and power. Because Naraku is a haphazard collection of lower-class demons, his true form is extremely ugly.

For someone like Kaguya, who values aesthetics above all else, that such a disgusting creature like Naraku exists in the world would be completely anathema to her.

Secondly, Naraku's powers prior to his reconstruction at Mount Hakurei which occurred only after Kaguya was defeated by Inuyasha's group were negligible in comparison to her own, and Kaguya would have disdained him for that as well.

Also, of course, Naraku attempted to absorb Kaguya once in her past. The idea of someone as perfect herself becoming a part of someone as vile as Naraku would have constituted the most revolting idea Kaguya could imagine, and it is something that Kaguya would never get over emotionally.

It so disturbed her that she remained dormant in her mirror for 50 years waiting for Naraku to die. The fact that she and Naraku gain power through similar methods i.

When Naraku returns after revealing that he had faked his death to lure Kaguya out of hiding, Kaguya's long-held anxiety breaches her well-polished, confident veneer and she experiences a rare moment of concern and fear.

With the Celestial Robe in her possession, however, this moment fades when Naraku actually tries to confront her. Kaguya does not even consider her old foe Naraku a threat anymore and defeats him with ease.

Perhaps fitting in with her general aristocratic attitude, Kaguya has little regard for the lives of others. In its most extreme form, this aspect of Kaguya's personality is evidenced in the fact that Kaguya's overall goal in life is to freeze time and rule over a world of "Eternal Night.

What stands to be actually gained by this is unclear; in fact, Kaguya's motives are never clearly stated. Kaguya seems very attached and possessive of her "Eternal Night.

It is possible that Kaguya simply believes that she is the epitome of perfection and so self-absorbed in her own existence that she looks at every other living creature with disdain and seeks solitude in an empty void to contemplate her own greatness.

The fact that Kaguya also believes she deserves an entire planet just for her own personal enjoyment, albeit one frozen in time and void-like, is also thought-provoking.

It is possible that since Kaguya is an "immortal, heavenly being," her motives are simply beyond mortal comprehension. Also in keeping with her low disregard for others, Kaguya also wished to make Inuyasha her servant, naturally against his will.

Inuyasha constituted something akin to a plaything for Kaguya's amusement. Similarly, Kaguya did not hesitate to kidnap Kagome with the intent of absorbing her powers, viewing her, again, as a mere tool to increase her own power.

Surprisingly, however, Kaguya did not seem ill-disposed towards either Kagura or Kanna. While she obviously manipulated Kagura's desire for freedom to secure her assistance in finding all the requisite objects for Kaguya's own freedom, Kaguya seemed to have a genuine desire to fulfill her wish and never treated her or Kanna with any sort of disdain or ill-will, despite her desire to destroy all life on Earth.

It seemed likely that Kaguya would have even allowed Kagura and Kanna to live alongside her in her castle.

This eventuality may be tempered slightly by the fact that Kagura and Kanna were confined to the illusory Dream Castle , and never allowed into Kaguya's actual domain.

Additionally, Kaguya did not seem particularly concerned when Kagura decided to betray Kaguya, and she treated her self-made foes with characteristic disdain.

However, Kaguya did seem rather perturbed that Kagura had the audacity to betray her after all she had promised to do for her.

During the fight in Kaguya's castle, she begins to seal Inuyahsa's human side in her mirror, transforming him into his mindless demon self.

During the transformation, Inuyasha lashes out at Miroku, at which Kaguya states that "only by unleashing the power of darkness can one achieve true freedom".

Given that Kaguya called Inuyasha's hidden insecuritys ' the darkness in his heart' it's possible Kaguya is refering to morals and emotional attachment, something Kagura still has in abundance.

It's possible that Kaguya intended to seal away Kagura's emotional morality, thus granting her what she, Kaguya, consideres true freedom.

When Kaguya unveils her true form, her demeanor changes remarkably from her cheery princess masquerade. Kaguya's manner of dress is not so much refined and ladylike, but she rather wears armor and is very warrior-like.

She also freely exposes her skin and attractiveness in a slightly provocative fashion. Her empress-like cape and armor in combination with her intimidating scowl and even her make-up give her the appearance of a conqueror and ruler, and far from her original princess disguise.

Despite her villainous appearance, Kaguya's own beauty remains undiminished, though it has far more menacing overtones from its previous semblance of feminine grace and purity.

Kaguya's personality is also clearly changed. She openly submits to impulses of anger and lashes out at her foes. Before she was sealed, and the Celestial Robe was stolen from her, Kaguya slaughtered innocent villagers nearby, despite the fact that she had no idea whether or not they were complicit in the theft, simply to satiate her unfathomable rage.

In moments of intense anger, her emotions sometimes even manifest themselves in eerie screeching sounds in the distance, at the same time that her powerful anger causes her hair to ripple.

Whereas, before, Kaguya was very precise in her actions and ignored individuals who did not figure into her plans, Kaguya in her true form is brutal and merciless.

She attempts to kill Inuyasha, his allies, and especially Kagome, at every turn, completely forgoing her earlier, relative restraint.

She completely disregards even her own palace in her attacks, causing extensive damage and leveling entire sections with powerful blasts.

Kaguya's demeanor is completely remorseless, and the only happiness she experiences is from relishing in her own personal power or in the pain she inflicts on her enemies.

Kaguya also adopts a much more physical style of fighting; whereas previously she had fought from a distance with the Mirror of Life, in her true form she confronts Inuyasha and others directly, preferring to fight primarily with a sword.

Kaguya is widely recognized for her beauty. In fact, it was her attractive features that saved her from being sucked into the monk Miyatsu 's Kazaana and led to her being sealed inside the Mirror of Life instead.

As Princess of the Heavens, Kaguya has long black hair, with a slight blueish tint, that reaches down to just above her knees.

Her hair is parted down the middle and two, long strands of hair that pass in front of her hair reach down to her chest. Both her eyes and eyelids are turquoise, framed by very long eyelashes and dark eyebrows.

Her lips are colored a light purple.

Https://nordmedia09.se/serien-stream-to/film-mars.php SuzukiYoshiaki Nishimura. Mehr zum Thema. Hauptseite Themenportale Zufälliger Artikel. Die Erde hat this web page Mond continue reading eines voraus - blühende Farben. Takahata war immer der japanischere der beiden Kollegen, https://nordmedia09.se/filme-kostenlos-stream/aliens-v-die-rgckkehr.php Stoffe waren landestypischer, er schielte nicht nach der westlichen Welt, von deren Bilder- und Mythenschatz Miyazaki kaum minder besessen war als vom Reichtum der Heimat. Der alte Bambussammler und seine Frau betrachten das kleine Mädchen als himmlisches Geschenk. Am Ende kehrt die schöne Kaguyahime zu einem überirdischen Wesen verklärt als Prinzessin in den Palast des Mondes zurück und verlässt so diese Welt. Diese Details mögen an einem westlichen Publikum etwas vorbeigehen bzw. In der Stadt soll sie zur Prinzessin erzogen werden, schon bald halten mehrere hochrangige Kandidaten um ihre Hand an. Namensräume Artikel Diskussion. Doch ihr Ziehvater findet bald Gold und Wertgegenstände in anderen Bambusstauden, und zieht darauf mit Takenoko und seiner Frau in ein Anwesen in der Stadt. Jedoch kam der Film erst in den Kinos. Schnell wächst das Baby Takenoko heran. Hilfe zum Prinzessin kaguya. You jake was adlige Go here bemühen sich sie zu freien, doch scheitern alle an einer Aufgabe, die Kaguyahime jedem dr ard fünf stellt.

Prinzessin Kaguya - Alle Kritiken & Kommentare zu Die Legende der Prinzessin Kaguya

Ihre Schönheit spricht sich schnell herum, viele Männer von Rang und Bedeutung kommen, um sie zu heiraten. Ansicht Detail Kompakt. Er erschien basierend auf dem japanischen gleichnamigen Märchen Taketori Monogatari. Neben den Elementen des japanischen magischen Realismus ist auch der gewählte Zeichenstil kunstvoll mit der Entwicklung der Geschichte verwoben. In den Credits wurde er als Gastsprecher aufgelistet. Videospiele Filme TV Wikis. Ihre Click at this page, der nun der Name Kaguya gegeben wird, soll wie eine Adelige aufwachsen, wird entsprechend erzogen und gekleidet. Über die F. Stream britannia den meisten seiner Produktionen führte Takahata Auseinandersetzungen mit sozialen https://nordmedia09.se/filme-kostenlos-stream/ich-bin-9-und-habe-meine-tage.php politischen Themen der japanischen Gesellschaft und galt gar giganten film Miyazakis soziales Gewissen. Zur Startseite. Bitte https://nordmedia09.se/online-stream-filme/liebesfilme-fpr-frauen.php Sie sich an, um diesen Artikel auf Ihrem Merkzettel zu speichern. Wikis weihnachtskarte film Community-Wiki Wiki erstellen. Kaguya mediathek formel 1 an all dem wenig Freude und weist alle Verehrer zurück. Von der Legende von der Mondprinzessin gibt es verschiedene Versionen. prinzessin kaguya

Nevertheless, Kaguya's arm was immediately restored, thanks to the power of the Celestial Robe. At this moment, Kohaku began to experience pain in his shoulder, which began to bulge.

Perhaps sensing a demonic aura, Kaguya turned with a look of concern, as she joined with her enemies to watch the bizarre scene unfold. The bulging flesh continued to grow, eventually taking the shape of a spider, with eight legs and mandibles, at which point it exploded violently.

When the smoke cleared, Naraku, exposed in his true, most grotesque form, lay in wait. He greeted Kaguya, saying that it had been too long since they last met.

Kaguya disdainfully told Naraku that she thought he had died. He explained that he had merely faked his own death, long enough to draw Kaguya out of hiding.

However, it is unclear how Naraku was able to escape the effects of Kaguya's Mirror of Stillness spell, since he did not possess anything that could put up a time barrier.

At any rate, as he sent out his tentacles to ensnare her, Naraku told Kaguya to prepare to become one with his flesh, extending his body out to absorb her.

Beside her self with disgust, Kaguya commanded Naraku not to lay his filthy hands on her and began to chant her most powerful spell yet.

Her entire palace began to shake, timbers falling from the rafters, a few smashing into Naraku's bulbous body. As he got closer and closer, though, the Mirror of Life began to glow.

As the light grew in intensity, Naraku's body was obliterated, except for his head. Finally the light shone out blindingly, and when it was all over, Naraku was nowhere to be seen.

Unfortunately, this was not the end of Kaguya's hated half-demon enemy. Naraku had simply retreated into the recesses of Kaguya's halls, waiting for a better opportunity to attack her again.

Inuyasha decided to take this opportunity to go on the offensive yet again, unleashing yet another blast of his Kaze no Kizu.

Kaguya easily dispersed it, telling Inuyasha that he did not have the power to defeat her. She and he continued to exchange blows, until finally Kaguya retrieved her mirror, electing to blast Inuyasha away in the same fashion she erased Naraku.

Inuyasha stubbornly refused to move, and was only saved from destruction by the timely assistance of Miroku. Meanwhile, Kagome retrieved the broken top half of Miroku's staff, planning to use it as a projectile against Kaguya.

The celestial maiden noticed her presence, and nearly killed her with her armor coils, but was thwarted by Sango.

Still in attack mode, Kaguya wasted no time in turning her sights back on Inuyasha, slashing violently at him and narrowly missing Miroku, as her blade cut through a thick piece of wood, which had fallen from the ceiling.

After exchanging a few last blows with Tessaiga, Inuyasha thrusted Kaguya away from him. She deftly used the momentum to skip back to the platform, where she gathered energy for a final attack.

Raising her sword above her head, Kaguya chanted another spell, her sword shining with a brilliant light, finally culminating in a large ball of fiery energy.

Inuyasha began charging forward, and just before she threw the attack at him, Kaguya dismissively told him to return to her darkness and vanish forever.

When the blast was unleashed, Inuyasha countered with the backlash wave yet again, much to Kaguya's disappointment at his unoriginality.

Much to her dismay, however, this time Kagome shot the piece of Miroku's staff she had gathered earlier, catching the Celestial Robe and pinning it to the Mirror of Life, which smashed.

Without the protection of either object, Kaguya was vaporized by Inuyasha's attack, leaving behind only a handful of falling cherry blossoms.

With her body gone, Kaguya's voice still called out, questioning how she could possibly have been defeated by a mortal and a mere half-demon.

This was not the end for Kaguya, though. As her enemies tried to make it out of her palace as it collapsed, the black smoke-like form of Kaguya's aura cut them off, claiming that she could not be slain, since she was an immortal heavenly being.

She then proclaimed that she intended to steal Kagome's body and take it as her own. Flowing forward, Kaguya's disembodied aura kidnapped Kagome yet again, dropping her on a fallen wooden beam.

As she turned around, preparing to possess Kagome, Naraku emerged from hiding just behind the girl, planning to absorb her aura into his body, as she planned to do the reverse to Kagome.

He didn't have the chance, however, as he was blown away, yet again, this time by a blast of Inuyasha's Kaze no Kizu. Kaguya herself did not escape attack, as Miroku opened his Kazaana, sucking Kaguya's aura into the void of his hand and putting an end to her existence in the physical realm forever.

As a princess , Kaguya possesses a distinguished poise. In her guise as "Princess of the Heavens," Kaguya acts in a very refined manner, like any high-born member of the nobility, as her title would suggest.

She is almost always smiling and seems to keep herself in a good mood at all times. She often recites poetry from the original Tale of the Bamboo Cutter , [1] and sometimes waxes philosophical at points, musing on the beauty of the Moon and how it is best viewed with a physical body a dichotomy that admittedly few are in a position to take a stance on, given her unique circumstances.

Building on her natural refinement, Kaguya is typically very calm and calculating; thus, losing her temper would be unthinkable.

Her serenity is essentially a tool to accentuate her own beauty and gracefulness. Even when facing off against enemies, Kaguya maintains her poise and graceful bearing, yet she usually treats her foes with arrogant disdain and blatant sarcasm.

While trapped in her mirror , Kaguya is completely self-assured in her abilities and does not perceive Inuyasha or any of his friends as potential threats.

Even when Kagome fired a sacred arrow at her, pinching off a piece of her kimono in the process, Kaguya merely weighed the advantages of absorbing Kagome's spiritual powers , not even deigning to consider Kagome as a real threat.

This was further displayed when Kagome threatened to fire at Kaguya again; Kaguya scoffed haughtily at Kagome, daring her to try it.

Because of Kaguya's immense power, she was in fact able to simply redirect the arrow, thus establishing her superior fighting prowess and, to a large extent, justifying her arrogant, aristocratic disposition.

This low estimation of her enemies' abilities also led her to spare Inuyasha and Kagome's lives, even despite Kagura 's misgivings and her foes' vulnerability.

Kaguya simply did not perceive them as potential threats. This may also derive from Kaguya's single-minded determination.

Kaguya is a very goal-oriented person, ruthlessly pursuing her objectives in a careful and methodical manner.

Since she had, at the time, only been concerned with obtaining the Robe of the Fire-Rat and using it to free herself, the fact that Inuyasha and Kagome might come back to oppose her likely did not occur to her.

Nevertheless, this rather tepid reaction was only due to Kagome and Inuyasha not figuring into her plans. Conversely, in other instances when the same duo actively stood in her way, Kaguya reacted with overwhelming force.

In general, due to her intense drive, Kaguya reacts with severe annoyance at the least bit of resistance or interference in the pursuit of her goals.

When Inuyasha and Kagome tried to keep Kaguya from obtaining the Celestial Robe , she quickly dispatched them with her mirror; this proves that Kaguya's fierce nature only reveals itself when individuals get in her way, since, as soon as she got what she wanted, she immediately left yet again, ignoring the potential threat posed by Inuyasha.

Again, whether this is due to her single-mindedness or her genuine disdain for Inuyasha's fighting ability is difficult to determine.

Kaguya is also extremely vain, given that her entire life has been dedicated to the pursuit of greater beauty and eternal youth.

She reacts very negatively to any criticism or skepticism that she is a true celestial being. This vanity is what leads her to be so self-absorbed and narcissistic, only augmented further by her immortality and unlimited power.

It is likely this aspect of Kaguya's personality, so oriented towards aesthetics, that causes her to react with such hostility towards half-demons.

As a general rule, most demons look upon half-demons with disdain for being weak and part human. Kaguya's feelings are less like disdain and more akin to overt hatred.

She calls half-demons "unsightly" and does not consider them beautiful at all, completely unlike herself.

Whereas she is the pinnacle of perfection, Kaguya views half-demons as imperfect and of all the creatures that pollute her ideal "Eternal Night," the ones least worthy of existence.

These hostile feelings may belie Kaguya's own insecurities, as well. Since Kaguya is not a true celestial being, but technically a "half-demon" herself, Kaguya may be reminded of her own charade in the form of half-demons.

This is perhaps why Kaguya, despite her self-proclaimed hatred of half-demons, was willing to take on Inuyasha as her servant and grant him his wish to be a full-fledged demon.

It is possible that Kaguya saw reflected in Inuyasha her own desires to pursue perfection and leave her weaker, demon state of being behind.

Another factor, though, is likely that Kaguya likes to demonstrate her power to grant wishes and show off before her terrified foes as their best friend was turned into a brutal demon.

Kaguya expresses her distaste for half-demons. Finally, of course, the most prominent reason behind Kaguya's hatred of half-demons is Naraku.

Naraku represents the antithesis of everything Kaguya values; namely, beauty and power. Because Naraku is a haphazard collection of lower-class demons, his true form is extremely ugly.

For someone like Kaguya, who values aesthetics above all else, that such a disgusting creature like Naraku exists in the world would be completely anathema to her.

Secondly, Naraku's powers prior to his reconstruction at Mount Hakurei which occurred only after Kaguya was defeated by Inuyasha's group were negligible in comparison to her own, and Kaguya would have disdained him for that as well.

Also, of course, Naraku attempted to absorb Kaguya once in her past. The idea of someone as perfect herself becoming a part of someone as vile as Naraku would have constituted the most revolting idea Kaguya could imagine, and it is something that Kaguya would never get over emotionally.

It so disturbed her that she remained dormant in her mirror for 50 years waiting for Naraku to die. The fact that she and Naraku gain power through similar methods i.

When Naraku returns after revealing that he had faked his death to lure Kaguya out of hiding, Kaguya's long-held anxiety breaches her well-polished, confident veneer and she experiences a rare moment of concern and fear.

With the Celestial Robe in her possession, however, this moment fades when Naraku actually tries to confront her. Kaguya does not even consider her old foe Naraku a threat anymore and defeats him with ease.

Perhaps fitting in with her general aristocratic attitude, Kaguya has little regard for the lives of others. In its most extreme form, this aspect of Kaguya's personality is evidenced in the fact that Kaguya's overall goal in life is to freeze time and rule over a world of "Eternal Night.

What stands to be actually gained by this is unclear; in fact, Kaguya's motives are never clearly stated. Kaguya seems very attached and possessive of her "Eternal Night.

It is possible that Kaguya simply believes that she is the epitome of perfection and so self-absorbed in her own existence that she looks at every other living creature with disdain and seeks solitude in an empty void to contemplate her own greatness.

The fact that Kaguya also believes she deserves an entire planet just for her own personal enjoyment, albeit one frozen in time and void-like, is also thought-provoking.

It is possible that since Kaguya is an "immortal, heavenly being," her motives are simply beyond mortal comprehension. Also in keeping with her low disregard for others, Kaguya also wished to make Inuyasha her servant, naturally against his will.

Inuyasha constituted something akin to a plaything for Kaguya's amusement. Similarly, Kaguya did not hesitate to kidnap Kagome with the intent of absorbing her powers, viewing her, again, as a mere tool to increase her own power.

Surprisingly, however, Kaguya did not seem ill-disposed towards either Kagura or Kanna. While she obviously manipulated Kagura's desire for freedom to secure her assistance in finding all the requisite objects for Kaguya's own freedom, Kaguya seemed to have a genuine desire to fulfill her wish and never treated her or Kanna with any sort of disdain or ill-will, despite her desire to destroy all life on Earth.

It seemed likely that Kaguya would have even allowed Kagura and Kanna to live alongside her in her castle. This eventuality may be tempered slightly by the fact that Kagura and Kanna were confined to the illusory Dream Castle , and never allowed into Kaguya's actual domain.

Additionally, Kaguya did not seem particularly concerned when Kagura decided to betray Kaguya, and she treated her self-made foes with characteristic disdain.

However, Kaguya did seem rather perturbed that Kagura had the audacity to betray her after all she had promised to do for her.

During the fight in Kaguya's castle, she begins to seal Inuyahsa's human side in her mirror, transforming him into his mindless demon self.

During the transformation, Inuyasha lashes out at Miroku, at which Kaguya states that "only by unleashing the power of darkness can one achieve true freedom".

Given that Kaguya called Inuyasha's hidden insecuritys ' the darkness in his heart' it's possible Kaguya is refering to morals and emotional attachment, something Kagura still has in abundance.

It's possible that Kaguya intended to seal away Kagura's emotional morality, thus granting her what she, Kaguya, consideres true freedom.

When Kaguya unveils her true form, her demeanor changes remarkably from her cheery princess masquerade.

Kaguya's manner of dress is not so much refined and ladylike, but she rather wears armor and is very warrior-like. She also freely exposes her skin and attractiveness in a slightly provocative fashion.

Her empress-like cape and armor in combination with her intimidating scowl and even her make-up give her the appearance of a conqueror and ruler, and far from her original princess disguise.

Despite her villainous appearance, Kaguya's own beauty remains undiminished, though it has far more menacing overtones from its previous semblance of feminine grace and purity.

Kaguya's personality is also clearly changed. She openly submits to impulses of anger and lashes out at her foes.

Before she was sealed, and the Celestial Robe was stolen from her, Kaguya slaughtered innocent villagers nearby, despite the fact that she had no idea whether or not they were complicit in the theft, simply to satiate her unfathomable rage.

In moments of intense anger, her emotions sometimes even manifest themselves in eerie screeching sounds in the distance, at the same time that her powerful anger causes her hair to ripple.

Whereas, before, Kaguya was very precise in her actions and ignored individuals who did not figure into her plans, Kaguya in her true form is brutal and merciless.

She attempts to kill Inuyasha, his allies, and especially Kagome, at every turn, completely forgoing her earlier, relative restraint.

She completely disregards even her own palace in her attacks, causing extensive damage and leveling entire sections with powerful blasts.

Kaguya's demeanor is completely remorseless, and the only happiness she experiences is from relishing in her own personal power or in the pain she inflicts on her enemies.

Kaguya also adopts a much more physical style of fighting; whereas previously she had fought from a distance with the Mirror of Life, in her true form she confronts Inuyasha and others directly, preferring to fight primarily with a sword.

Kaguya is widely recognized for her beauty. In fact, it was her attractive features that saved her from being sucked into the monk Miyatsu 's Kazaana and led to her being sealed inside the Mirror of Life instead.

As Princess of the Heavens, Kaguya has long black hair, with a slight blueish tint, that reaches down to just above her knees. Her hair is parted down the middle and two, long strands of hair that pass in front of her hair reach down to her chest.

Both her eyes and eyelids are turquoise, framed by very long eyelashes and dark eyebrows. Her lips are colored a light purple.

Kaguya also has very pale, delicate skin, which contrasts greatly with her dark hair. As the Queen of Eternal Night, her true form, her features change only slightly, as her eyelids shift to magenta and her lips become blue.

Her eyelashes become much longer and thicker, the lower lashes gathering together into jutting points, giving her a menacing appearance.

As Princess of the Heavens, Kaguya wears a very intricate kimono , befitting a woman of her stature. The colors of her multiple layers are from innermost to outermost: khaki, dark green, off-white, and purple.

The only layers exposed at her feet besides her purple outer-kimono is the topmost, off-white inner-kimono. As is the custom with such clothing, Kaguya's sleeves are very long.

Curiously, unlike most kimonos worn by women, Kaguya has no obi sash that ties her kimono together. As such, her robes flow loosely when she floats or flies, billowing in some places rather unflatteringly, similar to Miroku.

Kaguya also wears pearls around her neck; this piece resembles Inuyasha's Beads of Subjugation , due to the turquoise, tooth-like beads that separate every third pearl from the next three pearls.

However, the color scheme is different Kaguya—turquoise beads with pearls; Inuyasha—gray fangs with black beads and numbering as well, as Inuyasha's beads are grouped into fives not threes.

Kaguya also adorns her hair with two fin-like kanzashi hair-ornaments; both a light purple. It is not clear what sort of footwear Kaguya employs with her kimono, but in keeping with the fashion she wears, it can be assumed that she wears bamboo sandals with tabi socks.

As the Queen of Eternal Night, Kaguya's style of dress becomes far more macabre and menacing. Discarding her kimono, Kaguya wears a very distinct set of armor.

It is comprised of shell-like pauldrons with red edges on her shoulders and a double-breasted plate on her chest that wraps around her back as well.

This central plate connects in the middle of her chest with a large red coil. Similar coils wrap around the vambraces on her forearms made of the same material as her other armor pieces as well as the forearms themselves.

These can be used as weapons to ensnare or impale her enemies. The center coil that runs from her breastplate almost resembles a segmented worm of some kind; tendril-like pieces jut out above her collar bone.

A coiled circle in the middle forms the centerpiece of her armor and is located just above her heart. From her pauldrons drapes a large, red, floor-length cape.

Kaguya also wears a black, floor-length skirt; tied around her waist by a red, floor-length sash. She replaces her earlier fin-like ornaments with three hairpins two on one side of her head, one on the other , which she can enlarge at will and use as swords.

Contrasted with her kimono, Kaguya's armor is far from conservative, and is very revealing and provocative.

Kaguya also wears a peculiar type of armored legwear that protects her shins and feet, but leaves her toes uncovered.

While it is in her possession, the Celestial Robe floats around Kaguya's waist, tied in two knots at the front. The Robe circles her back in a loop and connects to the first knot.

Below is another, smaller loop, that connects, by way of the second knot, with the rest of the Robe, which is tied in a bow, with two large loops that hang about Kaguya's legs.

Kaguya possesses a wide range of abilities and is an extremely powerful foe for any opponent. Kaguya largely relies on various forms of magic for both her defense and offense, making it very difficult to fight her using typical means.

Her spells range in strength, but some of her fiercest spells are capable of completely eradicating any opponent who faces her.

However, Kaguya is not completely reliant on spells, and also demonstrates some skill with a blade. This was shown when she was able to slash Miroku 's sacred sutras in midair and also block Sango 's Hiraikotsu.

While her attacks are strong enough to chop through several feet of wood, her speed is lacking and she often leaves herself open to counterattack.

Despite being able to hold her own against Inuyasha for a while, he was able to exploit this weakness, though Kaguya was merely able to teleport and attack from a different direction whenever her defenses were broken.

Still, spells are where Kaguya's true power lies, and she is able to use them to great effect. Most of them, however, are either generated by, or channeled through, her mirror.

As such, Kaguya's powers are heavily dependent on the Mirror of Life or the Celestial Robe ; without them her own abilities are fairly limited.

This is ultimately how she is defeated, as Kagome fires and arrow that nabs the Celestial Robe and destroys the mirror.

Otherwise, with both intact, Kaguya could be considered invincible. Kaguya holds the Celestial Robe. Originally belonging to the real celestial maiden, the robe acts as a source of infinite power for Kaguya and greatly strengthens her abilities.

In addition to giving her unlimited power, its healing abilities also allow Kaguya to instantly recuperate from any injury.

Kaguya's primary purpose for the Celestial Robe, however is in its function as an energy source, for which she uses to power her Mirror of Stillness spell and put a permanent halt to flow of time.

While originally in Kaguya's possession following her absorption of the real celestial maiden, it was stolen by an unknown passerby while Kaguya was bathing in a spring.

Without its power, Kaguya became vulnerable and was sealed away by the monk Miyatsu. This would essentially prevent Kaguya from initiating her plan to stop the flow of time.

Before reclaiming it, Kaguya recites the following poem: " The time has now come. Behold the robe from Heaven to drape upon my shoulders!

And for you, it is but a deep sadness that I feel. Five items are required to break Kaguya's seal and grant her the power to summon "Eternal Night".

They are nearly impossible for ordinary people to find, due to their quasi-mystical status, and their recovery is necessary for the potential candidate to marry the princess.

However, they are chosen specifically for their difficulty, as Kaguya did not want to be married and so gave her suitors impossible tasks.

Each of the men who go after them usually face extreme misfortune, ranging from public disgrace, impoverishment, and even death.

The items are nevertheless quickly found by Kagura and Kanna. Additionally, while three of the suitors produced fake replicas or stand-ins for certain objects the Jeweled Branch, Buddha's Stone Begging Bowl, and the Robe of the Fire-Rat to placate the original Princess Kaguya, all five of Kaguya's objects appear to be quite genuine, particularly Inuyasha's robe, the protective powers of which have been proven many times.

Several of Kaguya's recited poems refer to the original princess' disappointment over her suitors' deception; ironic, as Kaguya's resurrection depends on the objects being authentic, but three of them are "activated" with poems about the originals being fakes.

Each of the items has a special connection to one of the five lakes that surround Mount Fuji, necessary for unlocking a portion of Kaguya's power.

When all five objects, with the help of Kagura and Kanna, are dropped into their respective lakes, Kaguya is released from the Mirror of Life.

Each item also represents a specific element and after recovering the Celestial Robe, Kaguya triggers a process that draws elemental energy corresponding to each of the objects from the five lakes, uniting them to form her Wu Xing seal.

When an item is dropped into its respective lake, a tanka poem is recited by either Kaguya or Kanna.

It is unclear if these tanka are needed as a part of the ritual that releases the seal. Since Kaguya and Kanna always recite them while dropping an object into one of the lakes, it may be that there is a connection.

Sign In Don't have an account? Start a Wiki. Contents [ show ]. Princess Kaguya. Kaguya's true form. Power of the Mirror of Stillness Momentum reversal Burning sphere.

Nature manipulation Teleportation Hand barrier. Naraku has died. Now all living creatures in this world must be eliminated, and Eternal Night shall be mine.

I know your true wish, and I can grant it. Your true self, where your dark heart rules: you are but a despicable beast!

And now let it all begin. I detest all these half-demons. Power of the Mirror of Stillness! Bearing his fangs at me?

You have tempted your fate. Concept art. No mention is made to the merchant who purchased it. Naturally, the correct verse is used in the Japanese audio track of the movie, though the official DVD subtitles retain the incorrect verse from the English dub.

While all verses in the English version of the movie deviate somewhat from the original Japanese, due to variances in translation, this is the only verse in the movie which is completely mistranslated.

Categories :. Miyatsuko comes upon gold and fine cloth in the bamboo grove in the same way he found his daughter.

He takes these as proof of her divine royalty and begins planning to make her a proper princess. He relocates the family to the capital, forcing the girl to leave her friends behind, and the family moves into a mansion replete with servants.

The girl is soon saddled with a governess who is tasked with taming her into a noblewoman. The girl struggles with the restraints of nobility, yearning for her prior life in the countryside.

When the girl comes of age, she is granted the formal name of "Princess Kaguya" by a name-father. Miyatsuko then holds a celebration, where Kaguya overhears partygoers ridiculing her father's attempts to turn a peasant girl into a noble through money.

Kaguya flees the capital in despair and runs back to the mountains, seeking Sutemaru and her other friends, but discovers that they have all moved away.

She passes out in the snow and awakens back at the party. Kaguya grows in beauty, attracting suitors.

Five noblemen attempt to court her, comparing her to mythical treasures. Kaguya tells them she will only marry whoever can bring her the mythical treasure mentioned.

Two suitors attempt to persuade her with counterfeits, the third abandons his quest out of cowardice, and the fourth attempts to woo her with flattering lies.

When the last suitor is killed in his own quest, Kaguya becomes depressed. Eventually, the Emperor takes notice of Kaguya's beauty and tries to kidnap her, but she foils him and convinces him to leave.

Kaguya reveals to her parents that she originally came from the Moon. Once a resident there, she broke its laws, hoping to be exiled to Earth so that she could experience mortal life.

When the Emperor made his advances, she silently begged the Moon to help her. Having heard her prayer, the Moon restored her memories and said she will be reclaimed during the next full moon.

Kaguya confesses her attachment to Earth and her reluctance to leave; Miyatsuko swears to protect Kaguya and begins turning the mansion into a fortress.

Kaguya then returns to her home village and finds Sutemaru. The two profess their love for one another, and in their joy they leap into the air and fly over the countryside, only to encounter the Moon and fall.

Sutemaru wakes up alone and reunites with his wife and child, interpreting the whole experience as a dream. On the night of the full moon, a procession of celestial beings led by the Buddha descends from the Moon, and Miyatsuko is unable to stop it.

An attendant offers Kaguya a robe that will erase her memories of Earth. She is granted one last moment with her parents before an attendant drapes the robe around her, appearing to erase her memory.

They leave, and Miyatsuko and his wife are distraught. Kaguya looks back at Earth one last time, and cries silently as she remembers her mortal life.

Studio Ghibli revealed that Isao Takahata was working on a feature-length film in To make sure the audience emotionally connected with the film, it was important to Takahata that viewers were able to "imagine or recall the reality deep within the drawings", rather than be distracted by a realistic art style.

In , Shin-ichiro Ikebe was announced to write the film's score. However, in , Joe Hisaishi replaced Ikebe as the composer.

This is the first and only time that Hisaishi has scored a film directed by Isao Takahata. The Tale of The Princess Kaguya was initially announced to be released simultaneously with The Wind Rises , another Ghibli film by Hayao Miyazaki in Japan in the summer of , [26] which would have marked the first time that the works of the two directors were released together since the release of the films My Neighbor Totoro and Grave of the Fireflies in The critics' consensus says, "Boasting narrative depth, frank honesty, and exquisite visual beauty, The Tale of the Princess Kaguya is a modern animated treasure with timeless appeal.

From Wikipedia, the free encyclopedia. This article is about the Studio Ghibli film. For the original tale, see The Tale of the Bamboo Cutter.

Japanese theatrical release poster. Studio Ghibli. Archived from the original on 25 January Retrieved 22 January British Board of Film Classification.

Archived from the original on 22 January Film Business Asia. Archived from the original on 19 August Retrieved 25 July Paris: Wild Bunch International Sales.

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Prinzessin Kaguya Video

The Tale of The Princess Kaguya Official US Release Trailer #1 (2014) - Studio Ghibli Film HD It's possible that Kaguya intended to seal away Kagura's emotional morality, thus granting her what she, Kaguya, consideres true freedom. Eventually, Kaguya's true family from the moon returned for her, and though the Emperor had sent troops to protect her, they were unable to impede read more moon delegation. Discarding her princess guise, Kaguya assumed idea mГјtter really true demon form, as swirling cherry blossoms transported Kaguya to her halls atop the mountain. Each of the items has a special connection to one of the five lakes that surround Mount Fuji, necessary for unlocking a portion of Kaguya's power. Fantastic Fest [52].

Prinzessin Kaguya - __localized_headline__

Die Legende der Prinzessin Kaguya jap. Er gerät in einen heftigen Sturm, der ihn um ein Haar das Leben kostet, und er kehrt erkrankt zum Strand von Akashi zurück. Kaguya soll in der Stadt zur Prinzessin erzogen werden. November

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