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Most black and brown workers perform some version of it. However, in this brilliantly absurdist film, Cash takes it too far and it ends up corroding his soul.
When he realises he is going to be marketing a workforce of virtual slaves, he says no — until he sees the pay cheque.
This sharp exploration of black identity and its suppression is actually just a subplot, though. Owners and management are shown as depraved, vacuous, corrupt and downright evil, scheming to create workers who are ever cheaper, more compliant and more profitable.
But decades of Republican attacks on behalf of big business have weakened unions and diminished their place in American life.
Meanwhile, the US policy of mass incarceration has put more than 2 million people in jail, according to the Prison Policy Initiative, a public policy thinktank.
Per head, that is more — far more — than any other country. In the nightmarish alternate reality conjured by the film, people are so eager to leave the rat race that they join WorryFree and find themselves housed in sweatshops with bunkbeds and matching jumpsuits.
Owners, meanwhile, are thrilled to have a permanent workforce whose services are sold to the highest bidder.
This is a mind-blowing idea, yet one firmly rooted in reality. Many of us feel trapped in a virtual prison, working to live, never getting ahead, only ever a cog in the machine.
This is the genius of Sorry To Bother You: it indicts the entire system. It is critical that workers believe they have a chance to ascend, so they will keep working.
The wealthy now have control of the US political system. They can donate as much as they want to candidates who, after they win office, are beholden to their donors.
The wealthy grow wealthier, the middle class shrinks and the number of poor people swells. In fact, by looking at the present moment through the lens of class warfare, the film will eventually be seen as ahead of its time.
In the film, there is a television show that has become phenomenally popular by airing footage of people being badly beaten up. A video of Cash — left bloody after he is hit by a drinks can during a riot — goes viral.
Here are a few picks from film and TV to get you started. Sign up for the Watching newsletter, which we send out every Monday, Wednesday and Friday.
This adventure film from Bong Joon Ho takes familiar elements — the unshakable bond between a child and her pet; the greedy, unsympathetic adults who threaten that bond — and uses them to create a biting environmentalist manifesto that still manages to feel wholly imaginative.
This emotional narrative is supported by a great cast: Tilda Swinton, deliciously daffy as always, plays the chief executive who seeks to profit from Okja alongside Jake Gyllenhaal in a truly bonkers performance , Paul Dano and Yeun again!
Have some tissues handy. Where to watch: Netflix —. Paper Boi Brian Tyree Henry is a reluctant guest, brought on to discuss a polarizing tweet he wrote about Caitlyn Jenner, and the subsequent debate makes for a cutting commentary on political correctness in hip-hop and in black culture.